turtletot43:

gin-and-eschatonic:

harvey-swick:

flowers-without-reason:

caesoxfan04:

Anderson Cooper saving a boy in Haiti during a shooting. A slab of concrete was dropped of the boys head.

Anderson fucking Cooper, everyone. 

Some journalists like to be strictly observers. they don’t intervene, they don’t participate. they just document what they see, even if what they see is terrible. But the way I see it, journalists don’t exist in a vacuum. They are human beings, living and working in a very human environment. And that humanity is essential in relating to their stories. When you lose your humanity, you lose any kind of journalistic integrity you have left. 

#nevernotreblog

this is the guy who found out one of his ancestors was killed by one of his slaves and was like “he had it coming”

Every now and then I run across this post, and every time I do, I feel the need to say something, especially since @flowers-without-reason felt the need to speak on behalf of a massive career field that he/she is not part of.

It’s really easy as a bystander to pass judgment on how/why journalists do things. I will not presume to speak on behalf of all journalists, but I was one and I can explain the “strictly observer” thing from at least one perspective.

You see, any time you are not actively observing – ie, taking photos/videos/recording observations – you are missing the story. When you miss the story, you miss the opportunity to tell the story. 

Since we live in the digital age, it’s easy to forget that 1) we didn’t always have the ability to record, transmit, and view information across the globe instantaneously, and 2) not everyone has access to that utility now. 

In 1992, James Nachtwey took this photo:

Because he took this photo (among the other equally horrifying and heartbreaking images he brought back from Somalia) and it was published to a large Western audience in the New York Times, The Red Cross received the largest influx of donor aid since WWII, and they were able to save 1.5 million people. Representatives from The Red Cross have directly cited the Nachtwey photos as inspiring that flood of help. 

These photos helped save more than a million lives. 

It is easy as a bystander – someone who isn’t a journalist, who probably hasn’t been in a war or famine zone – to make sweeping judgments about what journalists should or shouldn’t be doing.

Like this photo from the Sudan by Kevin Carter:

Hundreds of people contacted the paper questioning whether the little girl had survived to which the paper responded through an unusual editor’s note saying that the girl garnered enough strength to walk away from the vulture but her ultimate fate was not known. It was a rule for the journalists in Sudan not to touch victims of the famine, to avoid the risk of transmitting diseases. Carter though came under a lot of criticism for not assisting the girl. The St. Petersburg Times wrote this about him: “The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene.

He chased the vulture away after taking this photo. Note that journalists in the Sudan were not supposed to touch the famine victims to avoid the risk of transmitting disease. 

You’ll be pleased to know he committed suicide in 1994, shortly after winning a Pulitzer for this photo, leaving behind a note that talked about the horrors he saw and photographed. 

“I am depressed … without phone … money for rent … money for child support … money for debts … money!!! … I am haunted by the vivid memories of killings and corpses and anger and pain … of starving or wounded children, of trigger-happy madmen, often police, of killer executioners…I have gone to join Ken if I am that lucky.”

Now that we just blissfully assume everyone has both a smartphone and access to unrestricted internet, I guess it’s safe to feel critical of the people still putting themselves in the trenches to tell these stories.

These people told stories, and they are continuing to tell stories, that need to be told. We talk about silencing and rewriting history, then criticize the people trying to document it. 

When people talk about immigration and refugees, you can show them this picture of the actual human beings sent to their deaths when we turned away the St Louis:

If you want to talk about the violent militarization of law enforcement, you can show someone this photo from the Kent State shootings:

Or maybe the horrific futility of war:

Or maybe the impossible way we connect with each other:

Or you want to showcase dignity:

And bravery:

I won’t disagree that “when you lose your humanity, you lose your journalistic integrity,” but I will disagree that intervention is a key component to maintaining journalistic integrity. 

Journalistic integrity is telling an authentic story. 

The social justice corner of Tumblr often discusses what one person can do to make a difference in the world, yet posts like this get 700,000+ reblogs crapping all over one of those things a single person can do to make a difference. 

Net neutrality in the US is on the chopping block and states are debating the ethics of lying in history text books. I’d dare say that the journalists who are out there documenting the world as it exists are doing a job that is as important today as it was in WWII when a single photo from Iwo Jima helped turn the tide of the Pacific campaign. 

We’re in a time and place where filming police officers in public is an arrestable offense. So yeah, documenting is an act of intervention and resistance. It’s you saying, “I am not going to let anything stop me from telling the truth.”

I’ve never actually understood how to do a color study, but I’ve always wanted to try! Do you have any tutorial recommendations or tips yourself?

snackiies:

it’s such a simple yet hard concept to grasp, right? i’m having loads of trouble starting since there’s no exact tutorial for it, so you’ve gotta broaden your search for the topic.

recommendations:

  • i recommend watching speedpaints to get a better understanding on how other artists do it
  • the color study tag on here has loads of pics to take inspiration from
  • this book called ‘color and light’ by james gurney i’m borrowing from a coworker has tons of stuff that goes deep within the understanding of color (it’s a LOT to take in, i’ve had this for 3 weeks and i still haven’t finished it)

tips to getting started on color study:

1) don’t use the eye drop tool if you can.

i have a pretty basic understanding on choosing colors so i usually eyeball it instead from reference photos. but if you’re a beginner you need someplace to start, picking colors off the pics would be good, but don’t rely on it too much. it often leaves your drawings pretty bland since you’re straight up copying from the camera lens.

2) keep things quick and simple

you’re doing a color study, not an environmental study. i’m having trouble with over detailing my pieces but i’m making a conscious effort to stop caring since the main focus here is the colors, their relationship with the surrounding (even the sky has fricking layers i need to properly understand)

3) pick a picture that inspires you!

i usually pick out photos who has a clear contrast on stuff, so you’d wanna work on something that really attracts your eyes. google is a friend, don’t forget that. it’s better to reference of real life photos than fanart, and plus movie still/screencaps are a good place to see how the colors work out together

4) study your fave artist pieces

pick a piece you like the most and study it. what makes it attractive to you? why does this shade of pink go well with this sort of blue? you can color pick the piece and study their pattern in picking colors, some artists are using the same sort of color palette and it makes them stand out. try to find out why and experiment that method on your pieces of artwork. 

so these are the only things that i have on my plate right now, and i still have a loooong way to go, lol. hope it helps!

@sing-me-a-serenata

idontknowartdump:

inkskinned:

writing-prompt-s:

At 18, everyone receive a superpower. Your childhood friend got a power-absorption, your best friends got time control, and they quickly rise into top 100 most powerful superheroes. You got a mediocre superpower, but somehow got into the top 10. Today they visit you asking how you did it.

“Power absorption?” you ask him over your pasta, which you are currently absorbing powerfully. in the background, a tv is reading out what the Phoenix extremeist group has done recently. bodies, stacking.

tim nods, pushing his salad around. “it’s kind of annoying.” he’s gone vegan ever since he could talk to animals. his cheeks are sallow. “yesterday i absorbed static and i can’t stop shocking myself.”

“you don’t know what from,” shay is detangling her hair at the table, even though it’s not polite. about a second ago, her hair was perfect, which implies she’s been somewhere in the inbetween. “try millions of multiverses that your powers conflict with.” 

“did we die in the last one?” you grin and she grins and tim grins but nobody answers the question.

now she has a cut over her left eye and her hair is shorter. she looks tired and tim looks tired and you look down at your 18-year-old hands, which are nothing. 

they ship out tomorrow. they go out to the frontlines or wherever it is that superheroes go to fight supervillains; the cream of the crop. the starlight banner kids. 

“you both are trying too hard,” you tell them, “couldn’t you have been, like, really good at surfing?”

“god,” shay groans, “what i’d give to only be in the olympics.”

xxx

in the night, tim is asleep. on the way home, he absorbed telekinesis, and hates it too. 

shay looks at you. “i’m scared,” she says.

you must not have died recently, because she looks the same she did at dinner, cut healing slowly over her eye the way it’s supposed to, not the hyper-quickness of a timejump. just shay, living in the moment when the moment is something everyone lives in. her eyes are wide and dark the way brown eyes can be, that swelling fullness that feels so familiar and warm, that piercing darkness that feels like a stone at the back of your tongue.

“you should be,” you say.

her nose wrinkles, she opens her mouth, but you plow on.

“they’re going to take one look at you and be like, ‘gross, shay? no thanks. you’re too pretty. it’s bringing down like, morale, and things’. then they’ll kick you out and i’ll live with you in a box and we’ll sell stolen cans of ravioli.”

she’s grinning. “like chef boyardee or like store brand?”

“store brand but we print out chef boyardee labels and tape them over the can so we can mark up the price.”

“where do we get the tape?” 

“we, uh,” you look into those endless dark eyes, so much like the night, so much like a good hot chocolate, so much like every sleepover you’ve had with the two of your best friends, and you say, “it’s actually just your hair. i tie your hair around the cans to keep the label on.”

she throws a pillow at you. 

you both spend a night planning what you’ll do in the morning when shay is kicked out of Squadron 8, Division 1; top rankers that are all young. you’ll both run away to the beach and tim will be your intel and you’ll burn down the whole thing. you’re both going to open a bakery where you will do the baking and she’ll use her time abilities to just, like, speed things up so you don’t have to wake up at dawn. you’re both going to become wedding planners that only do really extreme weddings.

she falls asleep on your shoulder. you do not sleep at all.

in the morning, they are gone.

xxx

squadron 434678, Division 23467 is basically “civilian status.” you still have to know what to expect and all that stuff. you’re glad that you’re taking extra classes at college; you’re kind of bored re-learning the stuff you were already taught in high school. there are a lot of people who need help, and you’re good at that, so you help them. 

tim and shay check in from time to time, but they’re busy saving the world, so you don’t fault them for it. in the meantime, you put your head down and work, and when your work is done, you help the people who can’t finish their work. and it kind of feels good. kind of.

xxx

at twenty, squadron 340067, division 2346 feels like a good fit. tim and you go out for ice cream in a new place that rebuilt after the Phoenix group burned it down. you’ve chosen nurse-practitioner as your civilian job, because it seems to fit, but you’re not released for full status as civilian until you’re thirty, so it’s been a lot of office work.

tim’s been on the fritz a lot lately, overloading. you’re worried they’ll try to force him out on the field. he’s so young to be like this.

“i feel,” he says, “like it all comes down to this puzzle. like i’m never my own. i steal from other people’s boxes.”

you wrap your hand around his. “sometimes,” you say, “we love a river because it is a reflection.”

he’s quiet a long time after that. a spurt of flame licks from under his eyes.

“i wish,” he says, “i could believe that.”

xxx

twenty three has you in squad 4637, division 18. really you’ve just gotten here because you’re good at making connections. you know someone who knows someone who knows you as a good kid. you helped a woman onto a bus and she told her neighbor who told his friend. you’re mostly in the filing department, but you like watching the real superheroes come in, get to know some of them. at this level, people have good powers but not dangerous ones. you learn how to help an 18 year old who is a loaded weapon by shifting him into a non-violent front. you get those with pstd home where they belong. you put your head down and work, which is what you’re good at. 

long nights and long days and no vacations is fine until everyone is out of the office for candlenights eve. you’re the only one who didn’t mind staying, just in case someone showed up needing something. 

the door blows open. when you look up, he’s bleeding. you jump to your feet. 

“oh,” you say, because you recognize the burning bird insignia on his chest, “I think you have the wrong office.”

“i just need,” he spits onto the ground, sways, collapses. 

well, okay. so, that’s, not, like. great. “uh,” you say, and you miss shay desperately, “okay.”

you find the source of the bleeding, stabilize him for when the shock sets in, get him set up on a desk, sew him shut. two hours later, you’ve gotten him a candlenights present and stabilized his vitals. you’ve also filed him into a separate folder (it’s good to be organized) and found him a home, far from the warfront.

when he wakes up, you give him hot chocolate (god, how you miss shay), and he doesn’t smile. he doesn’t smile at the gift you’ve gotten him (a better bulletproof vest, one without the Phoenix on it), or the stitches. that’s okay. you tell him to take the right medications, hand them over to him, suggest a doctor’s input. and then you hand over his folder with a new identity in it and a new house and civilian status. you take a deep breath. 

he opens it and bursts into tears. he doesn’t say anything. he just leaves and you have to clean up the blood, which isn’t very nice of him. but it’s candlenights. so whatever. hopefully he’ll learn to like his gift.

xxx

squadron 3046, division 2356 is incredibly high for a person like you to fit. but still, you fit, because you’re good at organization and at hard work, and at knowing how to hold on when other people don’t see a handhold.

shay is home. you’re still close, the two of you, even though she feels like she exists on another planet. the more security you’re privy to, the more she can tell you. 

you brush her hair as she speaks about the endless man who never dies, and how they had to split him up and hide him throughout the planet. she cries when she talks about how much pain he must be in.

“can you imagine?” she whispers, “i mean, i know he’s phoenix, but can you imagine?” 

one time i had to work retail on black friday,” you say.

she sniffles.

“one time my boss put his butt directly on my hand by accident and i couldn’t say anything so i spent a whole meeting with my hand directly up his ass,” you say.

her eyes are so brown, and filling, and there are scars on her you’ve never noticed that might be new or very, very, very old; and neither of you know exactly how much time she’s actually been alive for. 

“i mean,” you say, “yeah that might hurt but one time i said goodbye to someone but they were walking in the same direction. i mean can you imagine.”

she laughs, finally, even though it’s weakly, and says, “one time even though i can manipulate time i slept in and forgot to go to work even though i was leading a presentation and i had to look them in the face later to tell them that.”

“you’re a compete animal,” you tell her, and look into those eyes, so sad and full of timelines you’ll never witness, “you should be kicked out completely.”

she wipes her face. “find me in a box,” she croaks, “selling discount ravioli.”

xxx

you don’t know how it happens. but you guess the word gets around. you don’t think you like being known to them as someone they can go to, but it’s not like they’ve got a lot of options. many of them just want to be out of it, so you get them out, you guess.

you explain to them multiple times you haven’t done a residency yet and you really only know what an emt would, but they still swing by. every time they show up at your office, you feel your heart in your chest: this is it, this is how you die, this is how it ends. 

“so, like, this group” you say, trying to work the system’s loopholes to find her a way out of it, “from ashes come all things, or whatever?”

she shrugs. you can tell by looking at her that she’s dangerous. “it’s corny,” she says. another shrug. “i didn’t mean to wind up a criminal.”

you don’t tell her that you sort of don’t know how one accidentally becomes a criminal, since you kind-of-sort-of help criminals out, accidentally. 

“i don’t believe any of that stuff,” she tells you, “none of that whole… burn it down to start it over.” she swallows. “stuff just happens. and happens. and you wake up and it’s still happening, even though you wish it wasn’t.”

you think about shay, and how she’s covered in scars, and her crying late at night because of things nobody else ever saw.

“yeah,” you say, and print out a form, “i get that.”

and you find a dangerous woman a normal home.

xxx

“you’re squadron 905?” 

division 34754,” you tell him. watch him look down at your ID and certification and read your superpower on the card and then look back up to you and then back down to the card and then back up at you, and so on. he licks his chapped lips and stands in the cold.

this happens a lot. but you smile. the gatekeeper is frowning, but then hanson walks by. “oh shit,” he says, “it’s you! come right on in!” he gives you a hug through your rolled-down window.

the gatekeeper is in a stiff salute now. gulping in terror. hanson is one of the strongest people in this sector, and he just hugged you.

the gate opens. hanson swaggers through. you shrug to the gatekeeper. “i helped him out one time.” 

inside they’re debriefing. someone has shifted sides, someone powerful, someone wild. it’s not something you’re allowed to know about, but you know it’s bad. so you put your head down, and you work, because that’s what you’re good at, after all. you find out the gatekeeper’s name and send him a thank-you card and also handmade chapstick and some good earmuffs.

shay messages you that night. i have to go somewhere, she says, i can’t explain it, but there’s a mission and i might be gone a long time.

you stare at the screen for a long time. your fingers type out three words. you erase them. you instead write where could possibly better than stealing chef boyardee with me?

she doesn’t read it. you close the tab. 

and you put your head down. and work.

xxx

it’s in a chili’s. like, you don’t even like chili’s? chili’s sucks, but the boss ordered it so you’re here to pick it up, wondering if he gave you enough money to cover. things have been bad recently. thousands dying. whoever switched sides is too powerful to stop. they destroy anyone and anything, no matter the cost.

the phoenix fire smells like pistachios, you realize. you feel at once part of yourself and very far. it happens so quickly, but you feel it slowly. you wonder if shay is involved, but know she is not.

the doors burst in. there’s screaming. those in the area try their powers to defend themselves, but everyone is civilian division. the smell of pistachios is cloying. 

then they see you. and you see them. and you put your hands on your hips.

“excuse me, tris,” you say, “what are you doing?”

there’s tears in her eyes. “i need the money,” she croaks.

“From a chili’s?” you want to know, “who in their right mind robs a chili’s? what are you going to do, steal their mozzarella sticks?”

“it’s connected to a bank on the east wall,” she explains, “but i thought it was stupid too.”

you shake your head. you pull out your personal checkbook. you ask her how much she needs, and you see her crying. you promise her the rest when you get your paycheck.

someone bursts into the room. shouts things. demands they start killing. 

but you’re standing in the way, and none of them will kill you or hurt you, because they all know you, and you helped them at some point or another, or helped their friend, or helped their children.

tris takes the money, everyone leaves. by the time the heroes show up, you’ve gotten everyone out of the building.

the next time you see tris, she’s marrying a beautiful woman, and living happily, having sent her cancer running. you’re a bridesmaid at the wedding.

xxx

“you just,” the director wants to know now, “sent them running?” 

hanson stands between her and you, although you don’t need the protection.

“no,” you say again, for the millionth time, “i just gave her the money she needed and told her to stop it.”

“the phoenix group,” the director of squadron 300 has a vein showing, “does not just stop it.”

you don’t mention the social issues which confound to make criminal activity a necessity for some people, or how certain stereotypes forced people into negative roles to begin with, or how an uneven balance of power punished those with any neurodivergence. instead you say, “yeah, they do.”

“i’m telling you,” hanson says, “we brought her out a few times. it happens every time. they won’t hurt her. we need her on our team.”

your spine is stiff. “i don’t do well as a weapon,” you say, voice low, knowing these two people could obliterate you if they wished. but you won’t use people’s trust against them, not for anything. besides, it’s not like trust is your superpower. you’re just a normal person.

hanson snorts. “no,” he says, “but i like that when you show up, the fighting just… stops. that’s pretty nice, kid.”

“do you know… what we are dealing with…. since agent 25… shifted….?” the director’s voice is thin.

“yeah,” hanson says, “that’s why i think she’d be useful, you know? add some peace to things.”

the director sits down. sighs. waves her hand. “whatever,” she croaks, “do what you want. reassign her.”

hanson leads you out. over your shoulder, you see her put her head in her hands. later, you get her a homemade spa kit, and make sure to help her out by making her a real dinner from time to time, something she’s too busy for, mostly.

at night, you write shay messages you don’t send. telling her things you cannot manage.

one morning you wake up to a terrible message: shay is gone. never to be seen again.

xxx

you’re eating ice cream when you find him.

behind you, the city is burning. hundreds dead, if not thousands.

he’s staring at the river. maybe half-crying. it’s hard to tell, his body is shifting, seemingly caught between all things and being nothing.

“ooh buddy,” you say, passing him a cone-in-a-cup, the way he likes it, “talk about a night on the town.”

the bench is burning beside him, so you put your jacket down and snuff it out. it’s hard sitting next to him. he emits so much.

“hey tim?” you say. 

“yeah?” his voice is a million voices, a million powers, a terrible curse. 

“can i help?” you ask.

he eats a spoonful of ice cream. 

“yeah,” he says eventually. “i think i give up.”

xxx

later, when they praise you for defeating him, you won’t smile. they try to put you in the media; an all-time hero. you decline every interview and press conference. you attend his funeral with a veil over your head.

the box goes into the ground. you can’t stop crying.

you’re the only one left at the site. it’s dark now, the subtle night.

you feel her at your side and something in your heart stops hurting. a healing you didn’t know you needed. her hands find yours.

“they wanted me to kill him,” she says, “they thought i’d be the only one who could.” her hands are warm. you aren’t breathing.

“beat you to it,” you say. 

“i see that,” she tells you. 

you both stand there. crickets nestle the silence.

“you know,” she says eventually, “i have no idea which side is the good one.”

“i think that’s the point of a good metaphor about power and control,” you say, “it reflects the human spirit. no tool or talent is good or bad.”

“just useful,” she whispers. after a long time, she wonders, “so what does that make us?”

xxx

it’s a long trek up into the mountains. shay seems better every day. more solid. less like she’s on another plane.

“heard you’re a top ten,” she tells me, her breath coming out in a fog. you’ve reclassed her to civilian. it took calling in a few favors, but you’ve got a lot. 

“yeah,” you say, “invulnerable.”

“oh, is that your superpower?” she laughs. she knows it’s not.

“that’s what they’re calling it,” you tell her, out of breath the way she is not, “it’s how they explain a person like me at the top.”

“if that means ‘nobody wants to kill me’, i think i’m the opposite.” but she’s laughing, in a light way, a way that’s been missing from her.

the cabin is around the corner. the lights are already on. 

“somebody’s home,” i grin.

tim, just tim, tim who isn’t forced into war and a million reflections, opens the door. “come on in.”

xxx

squadron one, division three. a picture of shay in a wedding dress is on my desk. she looks radiant, even though she’s marrying little old me.

what do i do? just what i’m best at. what’s not a superpower. what anyone is capable of: just plain old helping.

Written art. Beautiful. Better than most movies. Please read and share.

silvergryphon:

runicbinary:

jennyanydots42:

just-shower-thoughts:

One day, that “secret family recipe” will just be that recipe their ancestor looked up online years ago and everybody liked.

I found out one of my family’s “secret recipes” is on the back of the pudding box. Uncle Rich bakes up some lies.

While researching his book The Nordic Cookbook, chef Magnus Nilsson found that every family in Sweden has a special, unique family recipe for pickled herring passed down secretly from generation to generation. He got about 200 of these. They were all exactly the same. He traced the origin point back to a popular cookbook published in the late 1960s. I think the moral of that story is everyone’s grandma is a liar.

Guys, I can top this.

It’s time for the tale of Great-Grandma’s Macaroni and Cheese.

My Great-Grandma Mary was famous in her family for her macaroni and cheese. By all accounts it was an amazing mac and cheese- a baked casserole-style concoction of perfectly cooked elbow noodles and creamy, lusciously cheesy sauce. Because Dad loved it so much, it was always, without fail, sitting bubbling and golden in the dish set out on the dinner table just as he and his family arrived for visits, a testament to grandmotherly love and culinary mastery.

Fast-forward a couple dozen years.

My mother had never made macaroni and cheese. At the time she married my dad, she was a very good cook. She’d been cooking since she was about six or seven and had outstripped both her parents’ abilities in most areas. So when Dad started raving about Great-Grandma Mary’s macaroni and cheese, she did what any loving newlywed would do: she attempted to make macaroni and cheese.

According to all reports, it was an unmitigated disaster.

The sauce broke. The noodles turned to mush. The entire concoction was, in a word, inedible. Dad took one bite and spit it out. Horrified that her husband would do such a thing. Mom took a bite- and spat it out. It was vile. Mortified, Mom threw out the remains and vowed to obtain Great-Grandma Mary’s secret recipe.

Not long afterwards, they went and visited Great-Grandma for the holidays. As usual, there was the macaroni and cheese, laid out in golden splendor upon the dinner table when they arrived. Mom was finally able to sample the famous macaroni and cheese and pronounced it quite as good as Dad’s stories made it out to be.

After dinner, she cornered Great-Grandma Mary and spilled the whole debacle about her failed attempts to recreate Dad’s favorite dish, and begged Great-Grandma Mary to share her secret.

Great-Grandma Mary smiled and brought her and my father into the kitchen. Rather than reaching for a cookbook of family culinary wisdom, or into the pantry for a secret ingredient, she went to the freezer, opened it, and, as Dad looked on in horror, drew out a family-sized box of Stouffer’s frozen macaroni and cheese.

“I have a casserole dish just this size,” she said. “I just pop it in there, sprinkle a little extra cheese on top, and nobody knows the difference.”

You would have thought someone had just stolen Dad’s teddy bear.

To this day, nearly twenty-seven years later, we still refer to Stouffer’s as ‘Great-Grandma’s Macaroni and Cheese’.

broadwaytheanimatedseries:

supersaiyanmik:

aviculor:

plasmas-king:

eternally-a-dreamer:

ghostboyhost:

ghostboyhost:

danny fenton:
-wears a shirt to the water park
-accidentally uses the womens restroom
-“i would tell you to use the mens room but i dont think you qualify”
-chest occasionally bulges in his ghost suit
-is a trans boy

reblog this make cis people mad that im “ruining their childhood”

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stable clone of him was a younger girl named danni

  • the series is literally about him keeping his identity a secret from his parents, believing that if they found out they’d stop loving him as their child and even kill him.
  • said identity is only known by his closest friends and others in the “community”.
  • After his college-age sister accidentally walks in on him altering his appearance and thereby learns his identity, she becomes clumsily obsessed with protecting him and being an ally.
  • Sam was able to disguise herself as him effortlessly.

Oh wow this…totally makes sense

Whenever i see this i reblog and remind everyone of the episode spectra was introduced. It has the biggest piece of subtext supporting this cuz its so not subtle its barely subtext

“Look at you. Not a boy,not a ghost. What are you?”

“I-i dont know!”

“Youre a freak! You dont belong anywhere!”

By the end of that episode he decides that he belongs however he chooses to belong.

I fucking love this theory ok?

hollyweeb-blvd:

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hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

hollyweeb-blvd:

This poor dude is waiting for his date for the prom unknowing he is being watched by the crew of a hit TV show

The tides coming in, hurry up dude.

Tide got him but he’s ok.

He’s texting his girl but she’s not showing up. Is she standing him up?

His best bud just showed up to help him.

Tide is really coming in now, he’s on the phone. Things are getting frantic.

Will she arrive in time? We’re gonna give him a round of applause if she says yes and arrives.

OH NO!

CREW IS ENCOURAGING HIM TO RE-DO HIS WORK. WE’RE SHOUTING “DO IT!”

HE IS RE-MAKING THE MESSAGE! I REPEAT! HE IS REMAKING THE MESSAGE!

WE HAVE RECIEVED WORD THAT THE GIRL IS ON A TREASURE HUNT IN THE CITY
AND THIS IS THE FINAL LOCATION. HIS FRIEND IS STALLING FOR TIME.

UPDATE: BEACHGOERS HAVE JOINED IN TO HELP THIS BOY REBUILD HIS MESSAGE TO THE GIRL! HIS FRIEND HAS JOINED IN AS WELL.

IT’S ALMOST DONE! THEY MIGHT MAKE IT!

THE MESSAGE IS COMPLETED! THE QUESTION IS NOW “WILL SHE SAY YES?”

BRO OF THE YEAR JUST BROUGHT A GIRL. I THINK THIS MAY BE IT!

I THINK THIS IS IT!

SHE’S APPROACHING!

YES! THE ANSWER IS YES!

OUR CREW IS CHEERING FOR THESE TWO.

bogleech:

raw-fed-pets:

faofox:

raw-fed-pets:

All dogs share the same basic digestive system despite the range of physical variations (and attitudes) across different breeds. Every dog is designed to eat a raw animal-based diet, from the Chihuahua to the Great Dane. Breed-specific dog food brands are simply a marketing gimmick aimed at playing on the pet owner’s emotions, and their desire to feed their pet the best possible diet.

I don’t think that dogs need an animal-based diet. If done right they can be vegan and not contribute to the murdering of innocent animals. We’ve adapted and domesticated them enough to do so. They’ve evolved to live without meat just like us.

200% incorrect. Vegan diets are carbohydrate-based. Carbohydrates are inflammatory, feed cancer (glucose), contribute to periodontal disease (leading to systemic organ failure, eg heart), cause insulin spikes leading to a multitude of other issues in the long-term (thyroid, liver, diabetes, heart disease) and also cause pancreatic problems due to extreme stress on the pancreas (secreting heavy loads of carb enzymes over a long period of time). The low moisture content coupled with high plant protein may also cause renal failure in the long term. The preservatives used may also be linked to cancer (BHA, BHT etc), and these diets also skew the omega3/6 ratio, causing further inflammation (linked to cancer again). They cause urine alkalinity leading to urinary problems such as crystals, blockages and UTI’s.

Brief into to dog anatomy/physiology:

– Stomach PH: Their highly acidic stomach is designed for eliminating harmful bacteria and breaking down bone into a gel-like substance. Humans have a much more alkaline stomach acid which is why we would struggle to digest raw bone.

-Digestive Enzymes: Higher level of proteases to break down animal protein. High bile load to help push through bacteria.

-Dental Anatomy: Sharp pointed teeth designed for ripping and tearing flesh and bones.Dogs do not chew their food as we do, they are wired to swallow chunks quickly as a basic survival instinct.

-Jaws: Dogs also have strong jaws that physically cannot move sideways (like your own can). This sideways grinding action is a feature that allows pre-digestion of plant material. Again, dogs rip off chunks and swallow them whole.

-Lack of Salivary Amylase: Omnivores have this for pre-digestion of carbohydrates. Dogs and cats do not. The canine pancreas secretes amylase as a backup, however this does not mean they should be fed a high carbohydrate diet every day for a lifetime. Processed food (incl vegan) is 40-70% carbohydrate.

-Lysozyme: Instead of amylase, dogs have lysozyme in their saliva which is an antibacterial. This may be useful for destroying any harmful bacteria in carrion/rotten food/feces, as well as wound cleaning.

-Gut length: The canine gut is short in length which is because flesh must be pushed through quickly. It does not need to sit and ferment, as this could allow bacteria to multiply to harmful levels. Note that plant eating animals have a long digestive tract and even multiple stomach chambers in order for plant material to be slowly broken down by the necessary enzymes.

-Nutrient profiles. Dogs have 0% biological requirement for carbohydrates. They gain every single essential nutrient from a prey based diet such as Whole Prey/Prey Model. Vegan diets are full of processed lab-made vitamins and minerals. Many vitamin pre-mixes are made in china and shipped to the country of manufacture.

All in all, dogs will survive on a high carbohydrate diet but it will cause systemic effects eventually. Similar to smoking, a junk food diet affects every dog differently and some may be affected more severely than others, and in different time spans. You can also expect high vet fees in the form of dental cleanings, dental surgeries and various health problem later on in life.

It is not recommended that you feed your pet the equivalent of a big mac for the entirety of its life. This is essentially what kibble and vegan diets are. Evolution has changed the appearance and even the behaviour of your dog, but their digestive system is still geared towards meat. Basically, you are paying money to have a company slowly kill your pet from the inside out.

0/10, Not Recommended.

Hard science here for anyone who needs to shut down a “vegan pet owner.” It’s abuse. Feed your animal the substances they evolved to eat or do not own an animal, it’s as simple as that.

dxmedstudent:

scientia-rex:

the-real-seebs:

shedoesnotcomprehend:

One of the most bizarrely cool people I’ve ever met was an oral surgeon who treated me after a ridiculous accident (that’s another story), Dr. Z.


Dr. Z. was, easily, the best and most competent doctor or dentist I’ve ever encountered – and after that accident, I encountered quite a number. He came stunningly highly recommended, had an excellent record, and the most calming bedside manner I’ve ever seen.

That last wasn’t the sweet gentle caretaking sort of manner, which some nurses have but you wouldn’t expect to see in a surgeon. No; when Dr. Z. told me that one of my broken molars was too badly damaged to save, and I (being seventeen and still moderately in shock) broke down crying, he stared at me incredulously and said, in a tone of utter bemusement, “But – I am very good.”

I stopped crying on the spot. In the last twenty-four hours or so of one doctor after another, no one had said anything that reassuring to me. He clearly just knew his own competence so well that the idea of someone being scared anyway was literally incomprehensible to him. What more could I possibly ask for?

(He was right. The procedure was very extended, because the tooth that needed to be removed was in bits, but there was zero pain at any point. And, as he promised, my teeth were so close together that they shifted to fill the gap to where there genuinely is none anymore, it’s just a little easier to floss on that side.)


But Dr. Z.’s insane competence wasn’t just limited to oral surgery.

When I met Dr. Z., he, like most doctors I’ve had, asked me if I was in college, and where, and what I was studying. When I say “math,” most doctors respond with “oh, wow, good for you” or possibly “what do you want to do with that after college?”

Dr. Z. wanted to know what kind of math.

I gave him the thirty-second layman’s summary that I give people who are foolish enough to ask that. He responded with “oh, you mean–” and the correct technical terms. I confirmed that was indeed what I meant (and keep in mind, this was upper-division college math, you don’t take this unless you’re a math major). He asked cogent follow-up questions, and there ensued ten or so minutes of what I’d call “small talk” except for how it was an intensely technical mathematical discussion.

He didn’t, as far as I can tell, have any kind of formal math background. He just … knew stuff.


I was a competitive fencer at this point in time, so when he asked if I had any questions about the surgery that would be necessary, I asked him if I’d be okay to fence while I had my jaw wired shut, or if it would interfere with breathing.

“Fencing?” he said.

“Yes,” I said, “like swordfighting,” because this is another conversation I got to have a lot. (People assume they’ve misheard you, or occasionally they think you mean building fences.)

“Which weapon?”

“Uh. Foil.”

“No, it won’t be safe,” and he went off into an explanation of why.

Turns out, he was also a serious fencer – and, when I mentioned my fencing coach, an old friend of his. (I asked my fencing coach later, and, oh yes, Dr. Z., a good friend of mine, excellent fencer.) (My coach was French. Dr. Z. was Israeli. I never saw Dr. Z. around the club or anything. I have no idea how they knew each other.)


So this was weird enough that later, when I was home, I looked Dr. Z. up on Yelp. His reviews were stellar, of course, but that wasn’t the weird thing.

The weird thing was that the reviews were full of people – professionals in lots of different fields – saying the same thing: I went to Dr. Z. for oral surgery, and he asked me about what I did, and it turned out he knew all about my field and had a competent and educated discussion with me about the obscure technical details of such-and-such.

All sorts of different fields, saying this. Lawyers. Businessmen. Musicians.

As far as I can tell, it’s not that I just happened to be pursuing the two fields he had a serious amateur interest in – he just seemed to be extremely good at literally everything.

I have no explanation for this. Possibly he sold his soul to the devil.

He did a damn good job on my surgery.

this is sort of amazing

it’s Methos. He’s a Highlander.

Definitely immortal.

Myths, Creatures, and Folklore

redadhdventures:

thewritingcafe:

thewritingcafe:

Want to create a religion for your fictional world? Here are some references and resources!

General:

Africa:

The Americas:

Asia:

Europe:

Middle East:

Oceania:

Creating a Fantasy Religion:

Some superstitions:

Read More

Here, I have some more:

Africa:

The Americas:

Asia:

Europe:

Oceanic:

General:

Reblogging because wow. What a resource.